One of the landmark new wave films of the late '60s, directed by the celebrated Jean-Luc Godard, Sympathy for the Devil alternates between reflections on contemporary politics and social issues of the late 1960s as well as giving the audience an unprecedented view of The Rolling Stones creative process in the recording studio working on what would become one of the band's defining tracks.
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"Bubble Me Up" editorial concepts visualized with AI - None of the models or closing pieces exist (yet!).
An ultra creative project from Maison Meta.
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Markos R. Kay (neé Christodoulou) is a multidisciplinary artist and director with a focus in art & science and generative art.
aBiogenesis: A conceptual reimagining of the "lipid world" theory which postulates that life originated from lipids forming membranes which envelop matter and nutrients to form protocells.
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Raxo is a full-service agency in the truest sense of the word. Based in New York City, it handles design, animation, strategy and technology for the digital world.
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Discover INCEPTION, the new futuristic concept car from Peugeot.
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DAVIDE QUAYOLA employs technology as lens to explore the tensions and equilibriums between seemingly opposing forces: the real and artificial, figurative and abstract, old and new. Constructing immersive installations, often at historically significant architectural sites, he engages with and re-imagines canonical imagery through contemporary technology.
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ARDHIRA PUTRA
She is based in Jakarta. This illustrator and motion designer is is strongly influenced by vintage Japan advertisement, 80's 90's anime and classic video game (Sega Saturn and Nintendo64). A very creative universe full of fun and color.
https://www.behance.net/ardhira
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Since 2011, NONOTAK is working on light and sound installations, creating an ethereal, immersive and dreamlike environment meant to envelop the viewer by using Takami Nakamoto’s approach of space & sound and Noemi Schipfer’s experience in kinetic visual. Together this Paris based duo is obsessed by flattening ‘pretension’ and democratizing the language of art through their spontaneous and kinetic use of light, audio and visuals.
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